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Moses returned to the Crump home with a prodigious appetite.,

It was a blessing that even her loyal soul must yield to nature’s balm of passing time; in wholesome companionship and the fragrant warmth of a country spring she somewhat forgot the grief that would otherwise have worn to death her frail little body.,

At the door of the Crump household, Moses stood before the daughter of the house who answered the bell, burning hot with the fever of an overwhelming embarrassment. His body glowed so that steam might have been seen arising from his dripping garments. He almost yearned for incarceration in an ice-house. His personal pulchritude had not been enhanced by the experience and the critical eyes of the young girl failed to express any degree of admiration or sympathy. More than ever Moses longed for the encircling arms of Betty.,

The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear.

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“Well, just listen! This morning your mama set out the meat for their breakfast. I had Geewhillikins and Jerusalem Crickets in the pound—the woodshed, you know. Oh, they had a big breakfast before,” she added quickly, feeling rather than seeing Billy’s disapproval.,

Moses was whistling a dismal discordant air in the backyard when the voice of his mother smote his ears.,

“What’s the use of goin’ to a dance and settin’ sleepin’ like one of them spinxes, Ebenezer?” she expostulated as she roused him from his slumbers. The good lady herself had danced almost incessantly until her face had taken on the hue of a ripe pippin.,

Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.